Roland SH-101, bass
Sin verificar
Deducido de la base de conocimiento. Nadie ha citado aún una fuente; una fuente aceptada la hace POSIBLEMENTE, una fuente de grado A o dos fuentes de grado B la verifican
Ajustes
- osc
- 1 saw -1 driven hard, unison 1, detune 24 cents, sub sine -1
- filter
- LP 24 dB/oct, driven into distortion
- cutoff
- 270 Hz
- resonance
- 0.65, drive 0.95
- envelope
- A 4 ms D 270 ms S 0.82 R 100 ms; opens with the attack, settles under sustain; filter env amount 0.6
- modulation
- mono
- effects
- a wash of reverb pulled back under the arrangement, subtle delay, drive
- notes
- The driving analogue bassline that carries the track on "Jmurph", built from the all-hardware, heavily-distorted studio behind Wicker & Steel and The Power And The Glory: SH-101-style monosynth and Doepfer modular driven hard into guitar/fuzz pedals for the scorched, industrial low end that defined this run of records. The bass line uses 1 saw -1 driven hard, cutoff opened just enough to growl under the kick, and runs a wash of reverb pulled back under the arrangement, subtle delay for space. Confidence is inferred from Perc's well-documented gear and production era rather than a per-track breakdown.
Fuentes
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Imágenes
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Historial de revisiones
- Seedsistema