Roland SH-101, bass

設定

osc

1 square -1 + noise burst, unison 1, detune 24 cents, sub sine -1

filter

LP 24 dB/oct, driven into distortion

cutoff

510 Hz

resonance

0.45, drive 0.85

envelope

A 4 ms D 150 ms S 0.74 R 60 ms; opens with the attack, settles under sustain; filter env amount 0.4

modulation

lfo sh 1.4 Hz to cutoff, mono

effects

hard-panned short delay, reverb kept minimal to preserve punch, fuzz

notes

The driving analogue bassline that carries the track on "Two Hundred", built from the all-hardware, heavily-distorted studio behind Wicker & Steel and The Power And The Glory: SH-101-style monosynth and Doepfer modular driven hard into guitar/fuzz pedals for the scorched, industrial low end that defined this run of records. The bass line uses 1 square -1 + noise burst, cutoff opened just enough to growl under the kick, and runs hard-panned short delay, reverb kept minimal to preserve punch for space. Confidence is inferred from Perc's well-documented gear and production era rather than a per-track breakdown.

出典

まだ出典がありません。主張が検証されるには、グレードAの出典が一つ、または独立したグレードBの出典が二つ必要です。

画像

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改訂履歴

• 10 9月 2026Seedシステム