Yamaha DX7, bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 1 saw + 1 square -1oct, unison 1, detune 8 cents, sub square -1
- filter
- LP 24 dB/oct
- cutoff
- 900 Hz
- resonance
- 0.25, drive 0.15
- envelope
- A 2 ms D 120 ms S 0.6 R 80 ms; quick pluck opening on each note then closing back down through the release, giving the line a percussive pop; filter env amount 0.5
- modulation
- mono
- effects
- light plate reverb, short slap delay doubling accent notes, drive
- notes
- A syncopated, punchy synth bass line drives the groove under a-ha's other synth layers, most likely a Jupiter-8 or DX7 patch shaped with a snappy filter envelope so it cuts through the mix. Typical of the sequenced low end a-ha and producer Alan Tarney used across the Scoundrel Days era.
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
No sample yet.
Revision history
- Seedsystem