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Yamaha CS-80, bass

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Contest: Yamaha CS-80 played bass on Jōken Hansha by Akina Nakamori (1982)

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Settings

osc
1 saw -1 + sub sine -1, unison 3, detune 2 cents, sub square -1, noise 0.05
filter
LP 24 dB/oct
cutoff
500 Hz
resonance
0.29, drive 0.05
envelope
A 6 ms D 129 ms S 0.1 R 86 ms; slow filter opening over the intro, settles by the verse; filter env amount -0.47
modulation
glide 18 ms, mono
effects
spring-adjacent plate reverb, subtle chorus, none
notes
The low end is a 1 saw -1 + sub sine -1 synth bass carrying the song's root movement, filtered lp 24 db/oct around 500 Hz so it stays taut rather than boomy; a short, punchy amp envelope. Written for Nakamori's 1982 album Prologue; gear and style approximated from the album's documented production (arranger/producer credits: Mitsuo Hagita / Kei Wakakusa; period gear: Roland Jupiter-8, Yamaha CS-80 and a Roland System-100M modular, sequenced from a Roland MC-4 Microcomposer). Japanese title: 条件反射.

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Revision history

  • Seedsystem