Yamaha DX7, pad
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 2 saw + 1 tri, wide detune, unison 2, detune 24 cents, sub none, noise 0.13
- filter
- LP 24 dB/oct
- cutoff
- 1840 Hz
- resonance
- 0.12, drive 0.12
- envelope
- A 329 ms D 797 ms S 0.8 R 1713 ms; slow filter opening over the intro, settles by the verse; filter env amount 0.17
- modulation
- lfo tri 1.31 Hz to cutoff
- effects
- spring-adjacent plate reverb, subtle chorus, none
- notes
- A sustained pad of 2 saw + 1 tri, wide detune washes under the track, lp 24 db/oct filtered with a slow LFO breathing the cutoff, giving the chorus its width. Written for Nakamori's 1985 album D404ME; gear and style approximated from the album's documented production (arranger/producer credits: Akira Inoue; period gear: Yamaha DX7 layered with a Fairlight CMI, Roland Jupiter-8 bass, Simmons drums).
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
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Revision history
- Seedsystem