Yamaha DX7, pad
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 3 saw slow-swell unison, unison 1, detune 22 cents, sub sine -1, noise 0.11
- filter
- LP 24 dB/oct
- cutoff
- 2380 Hz
- resonance
- 0.18, drive 0.06
- envelope
- A 965 ms D 806 ms S 1 R 1429 ms; opens sharply then decays with the amp envelope; filter env amount 0.64
- modulation
- lfo saw 3.84 Hz to cutoff
- effects
- hall reverb, stereo chorus, none
- notes
- A sustained pad of 3 saw slow-swell unison washes under the track, lp 24 db/oct filtered with a slow LFO breathing the cutoff, giving the chorus its width. Written for Nakamori's 1985 album D404ME; gear and style approximated from the album's documented production (arranger/producer credits: Akira Inoue; period gear: Yamaha DX7 layered with a Fairlight CMI, Roland Jupiter-8 bass, Simmons drums).
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
No sample yet.
Revision history
- Seedsystem