Yamaha DX7, bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 2 saw -1 unison, tight, unison 4, detune 32 cents, sub square -1, noise 0.11
- filter
- LP 24 dB/oct
- cutoff
- 240 Hz
- resonance
- 0.24, drive 0.13
- envelope
- A 6 ms D 254 ms S 0 R 129 ms; quick pluck-open on the attack, closes into the sustain; filter env amount 0.1
- modulation
- glide 31 ms, mono
- effects
- hall reverb, stereo chorus, none
- notes
- The low end is a 2 saw -1 unison, tight synth bass carrying the song's root movement, filtered lp 24 db/oct around 240 Hz so it stays taut rather than boomy; a short, punchy amp envelope. Written for Nakamori's 1985 album D404ME; gear and style approximated from the album's documented production (arranger/producer credits: Akira Inoue; period gear: Yamaha DX7 layered with a Fairlight CMI, Roland Jupiter-8 bass, Simmons drums).
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
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Revision history
- Seedsystem