Yamaha DX7, bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 2 saw -1 unison, tight, unison 4, detune 4 cents, sub sine -1, noise 0.07
- filter
- LP 24 dB/oct
- cutoff
- 580 Hz
- resonance
- 0.1, drive 0.02
- envelope
- A 10 ms D 210 ms S 0.1 R 146 ms; snappy envelope-driven open/close per note; filter env amount -0.1
- modulation
- glide 44 ms, mono
- effects
- tape-style slap delay, plate reverb, none
- notes
- The low end is a 2 saw -1 unison, tight synth bass carrying the song's root movement, filtered lp 24 db/oct around 580 Hz so it stays taut rather than boomy; a short, punchy amp envelope. Written for Nakamori's 1986 album Crimson; gear and style approximated from the album's documented production (arranger/producer credits: Shiro Sagisu and others; period gear: Yamaha DX7, Fairlight CMI IIx, Roland Jupiter-8 and an early Roland D-50).
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
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Revision history
- Seedsystem