Yamaha DX7, keys
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 2 saw + 1 square, tight unison, unison 4, detune 0 cents, sub none, noise 0.1
- filter
- BP 12 dB/oct
- cutoff
- 4040 Hz
- resonance
- 0.36, drive 0.23
- envelope
- A 4 ms D 145 ms S 0.3 R 174 ms; quick pluck-open on the attack, closes into the sustain; filter env amount 0.44
- modulation
- mono
- effects
- spring-adjacent plate reverb, subtle chorus, drive
- notes
- Rhythmic synth stabs built from 2 saw + 1 square, tight unison punctuate the arrangement, filtered bp 12 db/oct with a fast, percussive envelope. Written for Nakamori's 1988 album Femme Fatale; gear and style approximated from the album's documented production (arranger/producer credits: Alan Gorrie / Scott Wilk; period gear: Yamaha DX7II, Roland D-50, Emulator II sampler, Oberheim Matrix-12 — cut with Alan Gorrie (Average White Band) on the writing/arranging side, leaning the record toward synth-bass funk).
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
No sample yet.
Revision history
- Seedsystem