Yamaha DX7, lead
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 1 square + 1 saw, hard sync feel, unison 3, detune 20 cents, sub none, noise 0.1
- filter
- LP 12 dB/oct
- cutoff
- 2760 Hz
- resonance
- 0.29, drive 0.02
- envelope
- A 26 ms D 313 ms S 0.8 R 160 ms; snappy envelope-driven open/close per note; filter env amount -0.12
- modulation
- lfo sh 1.91 Hz to pitch, glide 1 ms, mono
- effects
- tape-style slap delay, plate reverb, drive
- notes
- The lead line is built from 1 square + 1 saw, hard sync feel, cut lp 12 db/oct near 2760 Hz with the filter snappy envelope-driven open/close per note; it sits on top of the arrangement carrying the vocal-answering hook. Written for Nakamori's 1988 album Femme Fatale; gear and style approximated from the album's documented production (arranger/producer credits: Alan Gorrie / Scott Wilk; period gear: Yamaha DX7II, Roland D-50, Emulator II sampler, Oberheim Matrix-12 — cut with Alan Gorrie (Average White Band) on the writing/arranging side, leaning the record toward synth-bass funk).
Sources
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Images
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Who played it
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Samples
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Revision history
- Seedsystem