Roland D-50, lead

未核实根据知识库推断得出。尚无人引用来源；一个已接受的来源会使其变为「可能」，一个 A 级来源或两个 B 级来源即可核实它

设置

osc: 1 saw + 1 pulse, PWM sweep, unison 4, detune 6 cents, sub none, noise 0.05
filter: LP 12 dB/oct
cutoff: 2540 Hz
resonance: 0.39, drive 0.04
envelope: A 37 ms D 295 ms S 0.9 R 534 ms; opens sharply then decays with the amp envelope; filter env amount 0.76
modulation: lfo saw 0.85 Hz to pitch, glide 70 ms, mono
effects: hall reverb, stereo chorus, none
notes: The lead line is built from 1 saw + 1 pulse, PWM sweep, cut lp 12 db/oct near 2540 Hz with the filter opens sharply then decays with the amp envelope; it sits on top of the arrangement carrying the vocal-answering hook. Written for Nakamori's 1988 album Femme Fatale; gear and style approximated from the album's documented production (arranger/producer credits: Alan Gorrie / Scott Wilk; period gear: Yamaha DX7II, Roland D-50, Emulator II sampler, Oberheim Matrix-12 — cut with Alan Gorrie (Average White Band) on the writing/arranging side, leaning the record toward synth-bass funk).

尚无来源。主张需要一个 A 级来源，或两个独立的 B 级来源，才能被核实。

尚无自由许可图片。

尚无署名。

以此设置录制的乐器录音，均由贡献者新近录制。绝非取自该曲目本身的片段。

尚无音频样本。