Yamaha DX7, bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 1 square -1, PWM, unison 3, detune 22 cents, sub square -1, noise 0.07
- filter
- LP 24 dB/oct
- cutoff
- 600 Hz
- resonance
- 0.29, drive 0.24
- envelope
- A 11 ms D 95 ms S 0.4 R 57 ms; slow filter opening over the intro, settles by the verse; filter env amount -0.05
- modulation
- glide 2 ms, mono
- effects
- stereo chorus, medium hall reverb, none
- notes
- The low end is a 1 square -1, PWM synth bass carrying the song's root movement, filtered lp 24 db/oct around 600 Hz so it stays taut rather than boomy; a short, punchy amp envelope. Written for Nakamori's 1988 album Femme Fatale; gear and style approximated from the album's documented production (arranger/producer credits: Alan Gorrie / Scott Wilk; period gear: Yamaha DX7II, Roland D-50, Emulator II sampler, Oberheim Matrix-12 — cut with Alan Gorrie (Average White Band) on the writing/arranging side, leaning the record toward synth-bass funk).
Sources
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Images
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Who played it
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Samples
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Revision history
- Seedsystem