Yamaha DX7, lead
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 1 saw + 1 pulse, PWM sweep, unison 4, detune 6 cents, sub none, noise 0.05
- filter
- LP 12 dB/oct
- cutoff
- 2540 Hz
- resonance
- 0.39, drive 0.04
- envelope
- A 37 ms D 295 ms S 0.9 R 534 ms; opens sharply then decays with the amp envelope; filter env amount 0.76
- modulation
- lfo saw 0.85 Hz to pitch, glide 70 ms, mono
- effects
- hall reverb, stereo chorus, none
- notes
- The lead line is built from 1 saw + 1 pulse, PWM sweep, cut lp 12 db/oct near 2540 Hz with the filter opens sharply then decays with the amp envelope; it sits on top of the arrangement carrying the vocal-answering hook. Written for Nakamori's 1988 album Femme Fatale; gear and style approximated from the album's documented production (arranger/producer credits: Alan Gorrie / Scott Wilk; period gear: Yamaha DX7II, Roland D-50, Emulator II sampler, Oberheim Matrix-12 — cut with Alan Gorrie (Average White Band) on the writing/arranging side, leaning the record toward synth-bass funk).
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
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Revision history
- Seedsystem