Akai S1000, bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 1 saw -1 + 1 square -2, unison 3, detune 16 cents, sub none, noise 0.04
- filter
- LP 24 dB/oct
- cutoff
- 320 Hz
- resonance
- 0.16, drive 0.18
- envelope
- A 5 ms D 252 ms S 0 R 55 ms; opens sharply then decays with the amp envelope; filter env amount 0.77
- modulation
- glide 76 ms, mono
- effects
- spring-adjacent plate reverb, subtle chorus, none
- notes
- The low end is a 1 saw -1 + 1 square -2 synth bass carrying the song's root movement, filtered lp 24 db/oct around 320 Hz so it stays taut rather than boomy; a short, punchy amp envelope. Written for Nakamori's 1995 album La Alteración; gear and style approximated from the album's documented production (arranger/producer credits: Yasunori Iwasaki / Takayuki Hattori; period gear: Korg Wavestation, Roland JD-800, Akai S1000 sampler — Latin-tinged synth-pop cut partly for the Spanish-language market).
Sources
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Images
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Who played it
Nobody credited yet.
Samples
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Revision history
- Seedsystem