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Korg Trinity (V1), bass

Unverified Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it

Contest: Korg Trinity (V1) played bass on Sweet Suspicion by Akina Nakamori (1997)

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Settings

osc
1 square -1, PWM, unison 1, detune 8 cents, sub none, noise 0.04
filter
LP 24 dB/oct
cutoff
280 Hz
resonance
0.07, drive 0.05
envelope
A 2 ms D 136 ms S 0 R 120 ms; snappy envelope-driven open/close per note; filter env amount 0.02
modulation
glide 102 ms, mono
effects
spring-adjacent plate reverb, subtle chorus, none
notes
The low end is a 1 square -1, PWM synth bass carrying the song's root movement, filtered lp 24 db/oct around 280 Hz so it stays taut rather than boomy; a short, punchy amp envelope. Written for Nakamori's 1997 album Shaker; gear and style approximated from the album's documented production (arranger/producer credits: Kazuhisa Yamaguchi; period gear: Korg Trinity, Roland JV-1080 rack, Akai MPC groove programming).

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Samples

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Revision history

  • Seedsystem