Roland Fantom, bass

未核实根据知识库推断得出。尚无人引用来源；一个已接受的来源会使其变为「可能」，一个 A 级来源或两个 B 级来源即可核实它

设置

osc: 2 saw -1 unison, tight, unison 3, detune 0 cents, sub none, noise 0.08
filter: LP 24 dB/oct
cutoff: 240 Hz
resonance: 0.29, drive 0.12
envelope: A 3 ms D 167 ms S 0.5 R 179 ms; snappy envelope-driven open/close per note; filter env amount 0.14
modulation: glide 61 ms, mono
effects: 1/8 dotted delay, small room reverb, none
notes: The low end is a 2 saw -1 unison, tight synth bass carrying the song's root movement, filtered lp 24 db/oct around 240 Hz so it stays taut rather than boomy; a short, punchy amp envelope. Written for Nakamori's 2006 album Destination; gear and style approximated from the album's documented production (arranger/producer credits: Kenji Hayashida / Yusuke Sasaki; period gear: Roland Fantom-X workstation and software synths (Native Instruments-era soft synths) layered with live band).

尚无来源。主张需要一个 A 级来源，或两个独立的 B 级来源，才能被核实。

尚无自由许可图片。

尚无署名。

以此设置录制的乐器录音，均由贡献者新近录制。绝非取自该曲目本身的片段。

尚无音频样本。