Roland Fantom, bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 2 saw -1 unison, tight, unison 4, detune 24 cents, sub square -1, noise 0.05
- filter
- LP 24 dB/oct
- cutoff
- 540 Hz
- resonance
- 0.27, drive 0.13
- envelope
- A 15 ms D 157 ms S 0.3 R 181 ms; slow filter opening over the intro, settles by the verse; filter env amount 0.42
- modulation
- glide 20 ms, mono
- effects
- tape-style slap delay, plate reverb, drive
- notes
- The low end is a 2 saw -1 unison, tight synth bass carrying the song's root movement, filtered lp 24 db/oct around 540 Hz so it stays taut rather than boomy; a short, punchy amp envelope. Written for Nakamori's 2006 album Destination; gear and style approximated from the album's documented production (arranger/producer credits: Kenji Hayashida / Yusuke Sasaki; period gear: Roland Fantom-X workstation and software synths (Native Instruments-era soft synths) layered with live band).
Sources
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Images
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Who played it
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Samples
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Revision history
- Seedsystem