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Native Instruments Massive, bass

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Contest: Native Instruments Massive played bass on Re-birth by Akina Nakamori (2015)

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Settings

osc
1 square -1, PWM, unison 1, detune 12 cents, sub sine -1, noise 0.05
filter
LP 24 dB/oct
cutoff
240 Hz
resonance
0.27, drive 0.11
envelope
A 7 ms D 89 ms S 0.5 R 211 ms; snappy envelope-driven open/close per note; filter env amount -0.48
modulation
glide 68 ms, mono
effects
1/8 dotted delay, small room reverb, none
notes
The low end is a 1 square -1, PWM synth bass carrying the song's root movement, filtered lp 24 db/oct around 240 Hz so it stays taut rather than boomy; a short, punchy amp envelope. Written for Nakamori's 2015 album Fixer; gear and style approximated from the album's documented production (arranger/producer credits: Dream Productions / Brian Lee / Miran:Miran (Akina Nakamori); period gear: Native Instruments Massive/FM8-era software synths, modern EDM-pop programming).

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Samples

Recordings of the instrument set to these settings, made fresh by contributors. Never a clip of the record.

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Revision history

  • Seedsystem