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Roland TB-303, bass

Unverified Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it

Contest: Roland TB-303 played bass on The Finest Hour by Amelie Lens (2016)

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Reviewed by a person. Verified claims stay as they are until a reviewer decides.

Settings

osc
1 saw -1, filtered hard, unison 1, detune 0 cents, sub none
filter
LP 24 dB/oct
cutoff
332 Hz
resonance
0.19, drive 0.32
envelope
A 1 ms D 149 ms S 0 R 63 ms; short closing snap on every step, no sustain; filter env amount -0.48
modulation
glide 1 ms, mono
effects
short slap delay only, kept mono and dry so it sits under the kick, none
notes
The low end is a single filtered saw run mono with a fast-closing filter envelope on every step: almost no sustain, just a percussive click of pitch that reads as groove rather than melody, in keeping with raw, stripped-down Belgian techno for Sound Statement/Lyase, built from a handful of hardware loops rather than a wall of layers.

Sources

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Samples

Recordings of the instrument set to these settings, made fresh by contributors. Never a clip of the record.

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Revision history

  • Seedsystem