Korg Triton, pad
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 2 saw -1 + string ensemble layer, unison 2, detune 24 cents, sub none, noise 0.01
- filter
- LP 12 dB/oct
- cutoff
- 1865 Hz
- resonance
- 0.06
- envelope
- A 1219 ms D 361 ms S 0.9 R 937 ms; slow opening filter sweep across the first bar, then holding steady under the vocal; filter env amount 0.16
- modulation
- lfo sine 0.35 Hz to cutoff
- effects
- wide chorus and a long hall reverb, mixed well back behind the vocal and strings, none
- notes
- "Happy Ending" is a mid/slow ballad; this is a sustained pad/string layer under the arrangement, credited to Tetsuya Yukumi, approximated from early Yamaha Motif and Motif ES romplers alongside Korg Triton Extreme and Access Virus B, as Avex's in-house arrangers moved off pure trance gear into a warmer J-pop rompler sound. The waveform stack and filter envelope are set to sit under Hamasaki's vocal without crowding it.
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
No sample yet.
Revision history
- Seedsystem