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Spectrasonics Omnisphere, bass

Unverified Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it

Contest: Spectrasonics Omnisphere played bass on Return Road by Ayumi Hamasaki (2012)

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Settings

osc
1 saw + 1 square -1, unison 2, detune 9 cents, sub square -1
filter
LP 24 dB/oct
cutoff
395 Hz
resonance
0.31, drive 0.39
envelope
A 1 ms D 135 ms S 0.87 R 132 ms; short punch on the attack, closing back to the sustain cutoff within 120-200ms; filter env amount 0.5
modulation
mono
effects
short slap delay tucked under the kick, minimal reverb to keep the low end tight, drive
notes
For the synth bass line on "Return Road" (Party Queen), credited to D.A.I: patch approximated from Access Virus TI2 and Korg Kronos alongside early softsynths (Spectrasonics Omnisphere, Sylenth1) entering Avex sessions. Modulation is kept track-appropriate for an uptempo Avex dance-pop cut, treated with the fx chain noted above.

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Samples

Recordings of the instrument set to these settings, made fresh by contributors. Never a clip of the record.

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Revision history

  • Seedsystem