Yamaha DX7, bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 1 saw -1, unison 1, detune 6 cents, sub square -1
- filter
- LP 24 dB/oct
- cutoff
- 286 Hz
- resonance
- 0.24, drive 0.07
- envelope
- A 5 ms D 88 ms S 0.91 R 111 ms; fast open on attack, closes through the decay; filter env amount 0.22
- modulation
- glide 23 ms, mono
- effects
- none, dry against the drum machine, none
- notes
- Time to Move On, cut largely with Wycliffe 'Steely' Johnson and Clevie Browne, runs on the digital-dancehall toolkit of the era: Korg M1 and Yamaha DX7 keys, an Akai sampler for the riddim stabs, and tight, quantised drum programming. On "Pressure" this synth bass line anchors the chorus hook in period-accurate new jack swing/dancehall-pop style.
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
No free-licence image yet.
Who played it
Nobody credited yet.
Samples
No sample yet.
Revision history
- Seedsystem