Yamaha DX7, keys
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 2 saw + sample-hit layer, unison 1, detune 4 cents, sub none
- filter
- BP 12 dB/oct
- cutoff
- 1247 Hz
- resonance
- 0.26, drive 0.12
- envelope
- A 3 ms D 174 ms S 0.09 R 194 ms; fast open on attack, closes through the decay; filter env amount 0.43
- effects
- short room reverb, no delay, none
- notes
- Time to Move On, cut largely with Wycliffe 'Steely' Johnson and Clevie Browne, runs on the digital-dancehall toolkit of the era: Korg M1 and Yamaha DX7 keys, an Akai sampler for the riddim stabs, and tight, quantised drum programming. On "Stand Up Stand Up" this rhythmic stab fills out the arrangement in period-accurate new jack swing/dancehall-pop style.
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
No sample yet.
Revision history
- Seedsystem