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Korg M1, keys

Unverified Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it

Contest: Korg M1 played keys on Stand Up Stand Up by Billy Ocean (1993)

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Settings

osc
2 saw + sample-hit layer, unison 1, detune 4 cents, sub none
filter
BP 12 dB/oct
cutoff
1247 Hz
resonance
0.26, drive 0.12
envelope
A 3 ms D 174 ms S 0.09 R 194 ms; fast open on attack, closes through the decay; filter env amount 0.43
effects
short room reverb, no delay, none
notes
Time to Move On, cut largely with Wycliffe 'Steely' Johnson and Clevie Browne, runs on the digital-dancehall toolkit of the era: Korg M1 and Yamaha DX7 keys, an Akai sampler for the riddim stabs, and tight, quantised drum programming. On "Stand Up Stand Up" this rhythmic stab fills out the arrangement in period-accurate new jack swing/dancehall-pop style.

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Samples

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Revision history

  • Seedsystem