Korg M1, pad
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 3 saw stacked -12/0/+12, unison 4, detune 22 cents, sub none
- filter
- LP 24 dB/oct
- cutoff
- 2398 Hz
- resonance
- 0.12, drive 0.19
- envelope
- A 578 ms D 737 ms S 0.8 R 2103 ms; none; filter env amount 0
- modulation
- lfo sine 0.66 Hz to cutoff
- effects
- stereo chorus, long hall reverb, slow 1/4 tempo-synced delay, none
- notes
- Time to Move On, cut largely with Wycliffe 'Steely' Johnson and Clevie Browne, runs on the digital-dancehall toolkit of the era: Korg M1 and Yamaha DX7 keys, an Akai sampler for the riddim stabs, and tight, quantised drum programming. On "Time to Move On" this sustained pad anchors the chorus hook in period-accurate new jack swing/dancehall-pop style.
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
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Revision history
- Seedsystem