Yamaha DX7, bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 1 square -1 (Pro-One), unison 1, detune 18 cents, sub sine -1, noise 0.02
- filter
- LP 24 dB/oct
- cutoff
- 1848 Hz
- resonance
- 0.35, drive 0.18
- envelope
- A 2 ms D 48 ms S 0.91 R 124 ms; sweeps open then closes on release; filter env amount -0.27
- modulation
- glide 14 ms, mono
- effects
- Fairlight-native ambience, plate reverb, chorus, drive
- notes
- "Scream Down the House" as a standalone single builds around a monosynth bassline, cold and mechanical in character. Cut with the Believe You Me rig (Fairlight CMI, DX7, Jupiter-8, Pro-One, Emulator), the patch leans on a tight, mono signal for definition. The filter stays mostly static under the arrangement, and tempo-synced delay sits the part in the mix.
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
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Revision history
- Seedsystem