Behringer Odyssey, lead

Réglages

osc

1 saw + 1 square, square -1 detuned, unison 1, detune 15 cents, sub square -1, noise 0.05

filter

LP 24 dB/oct, resonant sweep

cutoff

1800 Hz

resonance

0.45, drive 0.2

envelope

A 5 ms D 150 ms S 0.7 R 300 ms; fast open on each note's attack, sweeping back down through the sustain for a falling-through-space feel; filter env amount 0.6

modulation

lfo sine 5 Hz to pitch, glide 60 ms, mono

effects

spring or plate reverb with a longish tail, tape echo slapback on accent notes, none

notes

A monophonic lead with a touch of glide between phrases carries the title's spaceman image, its filter snapping open on the attack and sagging back down through the note - the era's shorthand for a voice arriving from somewhere else. It doubles or answers the vocal line rather than sitting underneath it. Wikipedia notes the single as an early marker of the duo's turn toward electronic production without naming the exact instrument, so this reconstructs a plausible late-1970s Minimoog/ARP-style patch for the sound described.

Sources

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Images

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Historique des révisions

• 11 sept. 2026Seedsystème