Roland SH-101, bass
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 1 square -1 + noise burst, unison 1, detune 8 cents, sub sine -1
- filter
- LP 24 dB/oct, driven into distortion
- cutoff
- 150 Hz
- resonance
- 0.45, drive 0.7
- envelope
- A 2 ms D 90 ms S 0.66 R 60 ms; opens with the attack, settles under sustain; filter env amount 0.4
- modulation
- lfo tri 7 Hz to cutoff, mono
- effects
- mono, almost no reverb, a little tape-style delay for width, fuzz
- notes
- The driving analogue bassline that carries the track on "Boy", built from the all-hardware, heavily-distorted studio behind Wicker & Steel and The Power And The Glory: SH-101-style monosynth and Doepfer modular driven hard into guitar/fuzz pedals for the scorched, industrial low end that defined this run of records. The bass line uses 1 square -1 + noise burst, cutoff opened just enough to growl under the kick, and runs mono, almost no reverb, a little tape-style delay for width for space. Confidence is inferred from Perc's well-documented gear and production era rather than a per-track breakdown.
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
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Revision history
- Seedsystem