Roland SH-101, bass

Ajustes

osc

1 square -1 + noise burst, unison 1, detune 8 cents, sub sine -1

filter

LP 24 dB/oct, driven into distortion

cutoff

150 Hz

resonance

0.45, drive 0.7

envelope

A 2 ms D 90 ms S 0.66 R 60 ms; opens with the attack, settles under sustain; filter env amount 0.4

modulation

lfo tri 7 Hz to cutoff, mono

effects

mono, almost no reverb, a little tape-style delay for width, fuzz

notes

The driving analogue bassline that carries the track on "Boy", built from the all-hardware, heavily-distorted studio behind Wicker & Steel and The Power And The Glory: SH-101-style monosynth and Doepfer modular driven hard into guitar/fuzz pedals for the scorched, industrial low end that defined this run of records. The bass line uses 1 square -1 + noise burst, cutoff opened just enough to growl under the kick, and runs mono, almost no reverb, a little tape-style delay for width for space. Confidence is inferred from Perc's well-documented gear and production era rather than a per-track breakdown.

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Imágenes

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Historial de revisiones

• 10 sep. 2026Seedsistema