Roland SH-101, bass

Inställningar

osc

1 saw -1 + ring-modulated square, unison 1, detune 16 cents, sub square -1

filter

HP 12 dB/oct into LP 24 dB/oct

cutoff

450 Hz

resonance

0.35, drive 0.7

envelope

A 3 ms D 120 ms S 0.66 R 40 ms; opens with the attack, settles under sustain; filter env amount 0.3

modulation

mono

effects

mono, almost no reverb, a little tape-style delay for width, drive

notes

The driving analogue bassline that carries the track on "After Ball", built from the maturing industrial-techno studio around Bitter Music: the same modular/SH-101-style analogue core, now layered with harsher EBM-adjacent noise textures, sampled metal percussion and heavier saturation on the stabs and bass. The bass line uses 1 saw -1 + ring-modulated square, cutoff opened just enough to growl under the kick, and runs mono, almost no reverb, a little tape-style delay for width for space. Confidence is inferred from Perc's well-documented gear and production era rather than a per-track breakdown.

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Ändringshistorik

• 10 sep 2026Seedsystem