Roland SH-101, bass

After Ball · Perc / 单曲 (2017)

未核实根据知识库推断得出。尚无人引用来源；一个已接受的来源会使其变为「可能」，一个 A 级来源或两个 B 级来源即可核实它

设置

osc: 1 saw -1 + ring-modulated square, unison 1, detune 16 cents, sub square -1
filter: HP 12 dB/oct into LP 24 dB/oct
cutoff: 450 Hz
resonance: 0.35, drive 0.7
envelope: A 3 ms D 120 ms S 0.66 R 40 ms; opens with the attack, settles under sustain; filter env amount 0.3
modulation: mono
effects: mono, almost no reverb, a little tape-style delay for width, drive
notes: The driving analogue bassline that carries the track on "After Ball", built from the maturing industrial-techno studio around Bitter Music: the same modular/SH-101-style analogue core, now layered with harsher EBM-adjacent noise textures, sampled metal percussion and heavier saturation on the stabs and bass. The bass line uses 1 saw -1 + ring-modulated square, cutoff opened just enough to growl under the kick, and runs mono, almost no reverb, a little tape-style delay for width for space. Confidence is inferred from Perc's well-documented gear and production era rather than a per-track breakdown.

尚无来源。主张需要一个 A 级来源，或两个独立的 B 级来源，才能被核实。

尚无自由许可图片。

尚无署名。

以此设置录制的乐器录音，均由贡献者新近录制。绝非取自该曲目本身的片段。

尚无音频样本。