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Behringer Edge, bass

Workin' Overtime · Diana Ross / Single (1989)

Unverified Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it

Contest: Behringer Edge played bass on Workin' Overtime by Diana Ross (1989)

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Settings

osc
1 square -1, unison 1, detune 0 cents, sub sine -1
filter
LP 24 dB/oct
cutoff
800 Hz
resonance
0.3, drive 0.25
envelope
A 1 ms D 60 ms S 0.5 R 80 ms; hard snap, synced to the swung 16ths; filter env amount 0.45
modulation
lfo square 0 Hz to amp, glide 10 ms, mono
effects
none, drive
notes
A punchy square-wave synth bass locks to the swung new jack swing 16th pattern, driven hard for a percussive slap-bass edge.

Sources

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Samples

Recordings of the instrument set to these settings, made fresh by contributors. Never a clip of the record.

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Revision history

  • Seedsystem