Moog Modular, arp

未核实根据知识库推断得出。尚无人引用来源；一个已接受的来源会使其变为「可能」，一个 A 级来源或两个 B 级来源即可核实它

设置

osc: 1 saw, unison 1, detune 0 cents, sub none
filter: LP 24 dB/oct
cutoff: 1800 Hz
resonance: 0.3, drive 0.1
envelope: A 1 ms D 60 ms S 0.4 R 40 ms; each 16th note gated by the sequencer's own trigger, filter opens slightly on the accented beats; filter env amount 0.25
modulation: lfo sine 0.08 Hz to cutoff, mono
effects: long plate reverb, doubled with a slap delay set to the sequencer tempo, none
notes: The whole track is built from a 16th-note pattern on the Moog 960 sequencer running the System 55, a single sawtooth line gated into a relentless pulse with almost no melodic movement across octaves. A very slow filter LFO adds a barely perceptible breathing motion over the eight-minute album cut so the pattern never feels static. This is Moroder and Wedel's most documented session; treated here as measured-adjacent but still reconstructed by ear since no original patch sheet has surfaced publicly.

尚无来源。主张需要一个 A 级来源，或两个独立的 B 级来源，才能被核实。

尚无自由许可图片。

尚无署名。

以此设置录制的乐器录音，均由贡献者新近录制。绝非取自该曲目本身的片段。

尚无音频样本。