Yamaha DX7, bass
未核实
根据知识库推断得出。尚无人引用来源；一个已接受的来源会使其变为「可能」，一个 A 级来源或两个 B 级来源即可核实它
设置
- osc
- 1 saw + 1 square -1, unison 1, detune 0 cents, sub sine -1
- filter
- LP 24 dB/oct
- cutoff
- 900 Hz
- resonance
- 0.17, drive 0.16
- envelope
- A 2 ms D 115 ms S 0.38 R 75 ms; snappy close on each note, tracks the bassline; filter env amount -0.38
- modulation
- glide 35 ms, mono
- effects
- none, close and dry, drive
- notes
- a monosynth bassline on this Big Thing (1988) track, built on Fairlight CMI Series III and Yamaha DX7, the digital rig documented on the Big Thing sessions. The LP 24 dB/oct filter and 1 saw + 1 square -1 oscillator stack sit inside the band's pop rock/dance sound for this era, shaped and modulated to suit the part's role in the arrangement.
来源
尚无来源。主张需要一个 A 级来源，或两个独立的 B 级来源，才能被核实。
图片
尚无自由许可图片。
谁演奏了它
尚无署名。
音频样本
尚无音频样本。
修订历史
- Seed系统