Yamaha DX7, fx
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- noise + 1 saw -2, unison 2, detune 16 cents, sub none, noise 0.23
- filter
- HP 12 dB/oct
- cutoff
- 1420 Hz
- resonance
- 0.29, drive 0.18
- envelope
- A 860 ms D 660 ms S 0.49 R 2600 ms; slow sweeping rise across the section; filter env amount 0.26
- modulation
- lfo tri 0.8 Hz to cutoff
- effects
- long hall reverb with modulated delay throws, none
- notes
- a textural synth fx layer on this Big Thing (1988) track, built on Fairlight CMI Series III and Yamaha DX7, the digital rig documented on the Big Thing sessions. The HP 12 dB/oct filter and noise + 1 saw -2 oscillator stack sit inside the band's pop rock/dance sound for this era, shaped and modulated to suit the part's role in the arrangement.
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
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Who played it
Nobody credited yet.
Samples
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Revision history
- Seedsystem