Yamaha DX7, fx
未核实
根据知识库推断得出。尚无人引用来源；一个已接受的来源会使其变为「可能」，一个 A 级来源或两个 B 级来源即可核实它
设置
- osc
- noise + 1 saw -2, unison 5, detune 16 cents, sub none, noise 0.31
- filter
- HP 12 dB/oct
- cutoff
- 1940 Hz
- resonance
- 0.3, drive 0.07
- envelope
- A 1020 ms D 940 ms S 0.34 R 2560 ms; slow sweeping rise across the section; filter env amount 0.2
- modulation
- lfo tri 0.7 Hz to cutoff
- effects
- long hall reverb with modulated delay throws, none
- notes
- a textural synth fx layer on this Big Thing (1988) track, built on Fairlight CMI Series III and Yamaha DX7, the digital rig documented on the Big Thing sessions. The HP 12 dB/oct filter and noise + 1 saw -2 oscillator stack sit inside the band's pop rock/dance sound for this era, shaped and modulated to suit the part's role in the arrangement.
来源
尚无来源。主张需要一个 A 级来源，或两个独立的 B 级来源，才能被核实。
图片
尚无自由许可图片。
谁演奏了它
尚无署名。
音频样本
尚无音频样本。
修订历史
- Seed系统