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Behringer PRO-ONE, bass

Unverified Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it

Contest: Behringer PRO-ONE played bass on Waiting for a Train by Flash and the Pan (1982)

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Reviewed by a person. Verified claims stay as they are until a reviewer decides.

Settings

osc
1 square, unison 1, detune 0 cents, sub square -1
filter
LP 24 dB/oct, murky
cutoff
700 Hz
resonance
0.3, drive 0.15
envelope
A 1 ms D 30 ms S 0.9 R 40 ms; short pluck per note; filter env amount 0.25
modulation
mono
effects
short slap delay, none
notes
A deliberately flat, dry synth-bass pulse locked to the drum machine, part of Vanda and Young's spare, deadpan studio-only sound. The bass part is the whole harmonic engine of the track, played with almost no dynamic variation, letting the deadpan spoken vocal sit on top.

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Samples

Recordings of the instrument set to these settings, made fresh by contributors. Never a clip of the record.

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Revision history

  • Seedsystem