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Behringer Odyssey, bass

Unverified Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it

Contest: Behringer Odyssey played bass on Moral by Gary Numan (1981)

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Reviewed by a person. Verified claims stay as they are until a reviewer decides.

Settings

osc
1 saw -1 + 1 square -2, unison 1, detune 12 cents, sub square -1
filter
LP 24 dB/oct
cutoff
617 Hz
resonance
0.53, drive 0.28
envelope
A 2 ms D 90 ms S 0.3 R 120 ms; opens on the attack then eases back across the phrase; filter env amount 0.19
modulation
glide 8 ms, mono
effects
delay, reverb, drive
notes
a monophonic synth-bass ostinato carries the song's core pulse, tight envelope and a touch of filter drive keeping it punchy against the drums. Dance pulls back from big riffs toward long, spacious, fretless-bass-led arrangements with the Prophet-5 and Polymoog supplying slow-moving pad and keys textures rather than hooks

Sources

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Samples

Recordings of the instrument set to these settings, made fresh by contributors. Never a clip of the record.

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Revision history

  • Seedsystem