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Native Instruments Massive, bass

未核实 根据知识库推断得出。尚无人引用来源;一个已接受的来源会使其变为「可能」,一个 A 级来源或两个 B 级来源即可核实它

争议:Native Instruments Massive played bass on Extermination Process by Getter (2011)

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设置

osc
1 saw + 1 square -12, unison 5, detune 12 cents, sub sine -2, noise 0.19
filter
LP 24 dB/oct with formant morph
cutoff
1100 Hz
resonance
0.52, drive 0.46
envelope
A 9 ms D 90 ms S 0.55 R 150 ms; fast snap-open into a wobble/growl sweep; filter env amount 0.8
modulation
lfo sine 0.7 Hz to cutoff, glide 25 ms, mono
effects
tight sidechain to kick, subtle chorus on the sub, fuzz
notes
For "Extermination Process" the bass patch layers a sub oscillator under a detuned unison stack, filtered and LFO-modulated to give the wobble/growl character central to this release. Gear is approximated from Native Instruments Massive and Sylenth1, the default wavetable/subtractive combo for OWSLA-and-Firepower-era 2011-2013 brostep producers.

来源

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