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Native Instruments Massive, bass

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Contest: Native Instruments Massive played bass on Slam by Getter (2013)

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Settings

osc
2 saw detuned + sub -1, unison 3, detune 29 cents, sub sine -1, noise 0.23
filter
LP 24 dB/oct with formant morph
cutoff
360 Hz
resonance
0.32, drive 0.75
envelope
A 1 ms D 175 ms S 0.4 R 170 ms; fast snap-open into a wobble/growl sweep; filter env amount 0.45
modulation
lfo square 0.7 Hz to cutoff, glide 10 ms, mono
effects
tight sidechain to kick, subtle chorus on the sub, crush
notes
For "Slam" the bass patch layers a sub oscillator under a detuned unison stack, filtered and LFO-modulated to give the wobble/growl character central to this release. Gear is approximated from Native Instruments Massive and Sylenth1, the default wavetable/subtractive combo for OWSLA-and-Firepower-era 2011-2013 brostep producers.

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Samples

Recordings of the instrument set to these settings, made fresh by contributors. Never a clip of the record.

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Revision history

  • Seedsystem