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Spectrasonics Omnisphere, bass

未核实 根据知识库推断得出。尚无人引用来源;一个已接受的来源会使其变为「可能」,一个 A 级来源或两个 B 级来源即可核实它

争议:Spectrasonics Omnisphere played bass on Release by Getter (2018)

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设置

osc
FM pair (sine carrier, saw mod) + sub -1, unison 3, detune 28 cents, sub sine -1, noise 0.07
filter
LP 24 dB/oct with formant morph
cutoff
1720 Hz
resonance
0.46, drive 0.37
envelope
A 8 ms D 215 ms S 0.7 R 320 ms; fast snap-open into a wobble/growl sweep; filter env amount 0.45
modulation
lfo sh 2.7 Hz to cutoff, glide 5 ms, mono
effects
parallel distortion bus, minimal reverb, octave
notes
The bass on "Release" is a stacked wavetable/subtractive growl typical of this stretch of Getter's catalogue: a detuned saw layer riding a sine sub, run through a wobble LFO on the cutoff and pushed hard into distortion for the drop. Gear is approximated from Serum and Omnisphere pads mixed with distorted guitar-style synth-bass, the sound Getter built for the Visceral era.

来源

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图片

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音频样本

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