Oxford Synthesiser Company Oscar, arp
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 1 saw, unison 1, detune 0 cents
- filter
- LP 24 dB/oct
- cutoff
- 1600 Hz
- resonance
- 0.4
- envelope
- A 1 ms D 25 ms S 0.85 R 20 ms; tight pulsing 16th-note sequence, filter opens slightly as the piece builds in intensity
- modulation
- mono
- effects
- none, light delay on accented hits, drive
- notes
- Moroder scored the film's tense chase sequence with the same sequenced-Moog technique that made I Feel Love a landmark, and the approach won him an Academy Award; his account of building the sequence is well documented in interviews. Keep the pulse mechanically tight and let intensity build only through filter and tempo, never through swing.
Sources
No source yet. A claim needs one grade A source, or two independent grade B sources, to be verified.
Images
No free-licence image yet.
Who played it
Nobody credited yet.
Samples
No sample yet.
Revision history
- Seedsystem