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Sequential Circuits Prophet-5, bass

未核实 根据知识库推断得出。尚无人引用来源;一个已接受的来源会使其变为「可能」,一个 A 级来源或两个 B 级来源即可核实它

争议:Sequential Circuits Prophet-5 played bass on TOKIO by 沢田研二 (Kenji Sawada) (1980)

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由人工审核。已核实的主张在审核员作出决定之前会保持不变。

设置

osc
square -1 + sub sine -1, unison 1, detune 0 cents, sub sine -1
filter
LP 24 dB/oct
cutoff
700 Hz
resonance
0.15, drive 0.2
envelope
A 2 ms D 90 ms S 0.1 R 60 ms; small opening on the attack, otherwise closed and dark; filter env amount 0.25
modulation
lfo square 0 Hz to cutoff, mono
effects
kept dry, light compression only, to sit under the live bass guitar and drums, none
notes
A dark, closed square-wave synth-bass doubles the live bass guitar on the low end, reinforcing the groove rather than carrying an independent line. It is kept mostly dry with a small filter-envelope pop on each note so it stays tight against the drums.

来源

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图片

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音频样本

以此设置录制的乐器录音,均由贡献者新近录制。绝非取自该曲目本身的片段。

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