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Linn Electronics LM-1, fx

未核实 根据知识库推断得出。尚无人引用来源;一个已接受的来源会使其变为「可能」,一个 A 级来源或两个 B 级来源即可核实它

争议:Linn Electronics LM-1 played fx on Watching for Shapes by Kim Wilde (1982)

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由人工审核。已核实的主张在审核员作出决定之前会保持不变。

设置

osc
noise + 1 saw -2 (swept texture), unison 3, detune 15 cents, sub none, noise 0.5
filter
BP 12 dB/oct
cutoff
4479 Hz
resonance
0.4, drive 0.18
envelope
A 551 ms D 1333 ms S 0.6 R 1856 ms; long sweeping automation across the section; filter env amount 0.4
modulation
lfo sine 1.03 Hz to cutoff
effects
plate reverb (short-medium), light BBD-style chorus, no delay unless doubled by production, crush
notes
The atmospheric synth fx/texture layer on "Watching for Shapes" (Select, 1982). 1982 Wilde-family production: Roland Jupiter-8 driving bass and arp lines, Linn LM-1, a brighter more disco-inflected mix than the debut. Built from noise + 1 saw -2 (swept texture), shaped by a BP 12 dB/oct filter (long sweeping automation across the section), finished with plate reverb (short-medium), light BBD-style chorus, no delay unless doubled by production.

来源

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