Roland Jupiter-8, bass

未核实根据知识库推断得出。尚无人引用来源；一个已接受的来源会使其变为「可能」，一个 A 级来源或两个 B 级来源即可核实它

设置

osc: 1 saw -1 + 1 square -1 (sub-doubled), unison 2, detune 17 cents, sub square -1
filter: LP 24 dB/oct
cutoff: 293 Hz
resonance: 0.33, drive 0.23
envelope: A 1 ms D 80 ms S 0.8 R 136 ms; short punchy pluck on the attack, settles to a rounder sustain; filter env amount 0.32
modulation: glide 2 ms, mono
effects: plate reverb (short-medium), light BBD-style chorus, no delay unless doubled by production, drive
notes: The low-end synth-bass part driving the groove on "Back Street Joe" (Catch as Catch Can, 1983). 1983 Wilde-family production: Jupiter-8 bass and stabs, Linn LM-1, early Fairlight CMI colour starting to appear on the choruses (the era of the Nile Rodgers 'Dancing in the Dark' remix). Built from 1 saw -1 + 1 square -1 (sub-doubled), shaped by a LP 24 dB/oct filter (short punchy pluck on the attack, settles to a rounder sustain), finished with plate reverb (short-medium), light BBD-style chorus, no delay unless doubled by production.

尚无来源。主张需要一个 A 级来源，或两个独立的 B 级来源，才能被核实。

尚无自由许可图片。

尚无署名。

以此设置录制的乐器录音，均由贡献者新近录制。绝非取自该曲目本身的片段。

尚无音频样本。