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Roland D-50, bass

未核实 根据知识库推断得出。尚无人引用来源;一个已接受的来源会使其变为「可能」,一个 A 级来源或两个 B 级来源即可核实它

争议:Roland D-50 played bass on Stone by Kim Wilde (1988)

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设置

osc
1 saw -1 + 1 square -1 (sub-doubled), unison 2, detune 19 cents, sub square -1
filter
LP 24 dB/oct
cutoff
880 Hz
resonance
0.21, drive 0.42
envelope
A 2 ms D 100 ms S 0.8 R 157 ms; short punchy pluck on the attack, settles to a rounder sustain; filter env amount 0.42
modulation
glide 18 ms, mono
effects
digital stereo chorus, gated/plate reverb, occasional 1/8 delay slap on accents, drive
notes
The low-end synth-bass part driving the groove on "Stone" (Close, 1988). 1988 Wilde-family production (Close): DX7 and Fairlight CMI in full glossy late-80s dress, Roland D-50-style layered pads. Built from 1 saw -1 + 1 square -1 (sub-doubled), shaped by a LP 24 dB/oct filter (short punchy pluck on the attack, settles to a rounder sustain), finished with digital stereo chorus, gated/plate reverb, occasional 1/8 delay slap on accents.

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