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Akai S1000, bass

Unverified Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it

Contest: Akai S1000 played bass on In Hollywood by Kim Wilde (1990)

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Settings

osc
1 saw -1 + 1 square -1 (sub-doubled), unison 1, detune 27 cents, sub square -1
filter
LP 24 dB/oct
cutoff
262 Hz
resonance
0.28, drive 0.21
envelope
A 2 ms D 68 ms S 0.8 R 179 ms; short punchy pluck on the attack, settles to a rounder sustain; filter env amount 0.44
modulation
glide 37 ms, mono
effects
digital stereo chorus, gated/plate reverb, occasional 1/8 delay slap on accents, drive
notes
The low-end synth-bass part driving the groove on "In Hollywood" (Love Moves, 1990). 1990 Tony Swain production (Love Moves): Roland D-50 and Akai S1000 sample-based pads and strings, DX7 electric piano, glossy AOR-pop sheen. Built from 1 saw -1 + 1 square -1 (sub-doubled), shaped by a LP 24 dB/oct filter (short punchy pluck on the attack, settles to a rounder sustain), finished with digital stereo chorus, gated/plate reverb, occasional 1/8 delay slap on accents.

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Samples

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Revision history

  • Seedsystem