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Roland Jupiter-8, bass

未核实 根据知识库推断得出。尚无人引用来源;一个已接受的来源会使其变为「可能」,一个 A 级来源或两个 B 级来源即可核实它

争议:Roland Jupiter-8 played bass on Game Over by Kim Wilde (2006)

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由人工审核。已核实的主张在审核员作出决定之前会保持不变。

设置

osc
1 saw -1 + 1 square -1 (sub-doubled), unison 1, detune 27 cents, sub square -1
filter
LP 24 dB/oct
cutoff
233 Hz
resonance
0.15, drive 0.26
envelope
A 2 ms D 74 ms S 0.8 R 139 ms; short punchy pluck on the attack, settles to a rounder sustain; filter env amount 0.23
modulation
glide 24 ms, mono
effects
modern algorithmic reverb (medium-long), stereo widener, subtle 1/8 or 1/4 sync delay, drive
notes
The low-end synth-bass part driving the groove on "Game Over" (Never Say Never, 2006). 2006 Ricky Wilde/Uwe Fahrenkrog-Petersen production (Never Say Never): deliberate analogue-revival synthpop (Fahrenkrog-Petersen co-wrote Nena's '99 Luftballons'), Jupiter-8-style bass and punchy arps. Built from 1 saw -1 + 1 square -1 (sub-doubled), shaped by a LP 24 dB/oct filter (short punchy pluck on the attack, settles to a rounder sustain), finished with modern algorithmic reverb (medium-long), stereo widener, subtle 1/8 or 1/4 sync delay.

来源

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