Roland Jupiter-8, bass
未核实
根据知识库推断得出。尚无人引用来源;一个已接受的来源会使其变为「可能」,一个 A 级来源或两个 B 级来源即可核实它
设置
- osc
- 1 saw -1 + 1 square -1 (sub-doubled), unison 1, detune 27 cents, sub square -1
- filter
- LP 24 dB/oct
- cutoff
- 233 Hz
- resonance
- 0.15, drive 0.26
- envelope
- A 2 ms D 74 ms S 0.8 R 139 ms; short punchy pluck on the attack, settles to a rounder sustain; filter env amount 0.23
- modulation
- glide 24 ms, mono
- effects
- modern algorithmic reverb (medium-long), stereo widener, subtle 1/8 or 1/4 sync delay, drive
- notes
- The low-end synth-bass part driving the groove on "Game Over" (Never Say Never, 2006). 2006 Ricky Wilde/Uwe Fahrenkrog-Petersen production (Never Say Never): deliberate analogue-revival synthpop (Fahrenkrog-Petersen co-wrote Nena's '99 Luftballons'), Jupiter-8-style bass and punchy arps. Built from 1 saw -1 + 1 square -1 (sub-doubled), shaped by a LP 24 dB/oct filter (short punchy pluck on the attack, settles to a rounder sustain), finished with modern algorithmic reverb (medium-long), stereo widener, subtle 1/8 or 1/4 sync delay.
来源
尚无来源。主张需要一个 A 级来源,或两个独立的 B 级来源,才能被核实。
图片
尚无自由许可图片。
谁演奏了它
尚无署名。
音频样本
尚无音频样本。
修订历史
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