Moog Minimoog, keys
Unverified
Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it
Settings
- osc
- 1 FM bell 2-op ratio 3.5 + Rhodes-style sine tine, unison 1, detune 16 cents, sub none
- filter
- LP 12 dB/oct
- cutoff
- 2629 Hz
- resonance
- 0.085, drive 0.288
- envelope
- A 3.4 ms D 247.6 ms S 0.72 R 442.2 ms; opens on the attack then settles to the sustained cutoff; filter env amount 0.41
- effects
- short slap delay, plate reverb, SP1200/MPC grit on the drum bus, none
- notes
- an electric-piano-style synth keys part outlines the changes on "Where I've Been", built the way early-2000s Track Masters and Dr. Dre-adjacent production: Minimoog-style analog bass and MPC-sequenced synth stabs over the hip-hop soul sample bed would have cut it for No More Drama (2001). Waveform: 1 FM bell 2-op ratio 3.5 + Rhodes-style sine tine, filtered through a LP 12 dB/oct stage around 2629 Hz; the envelope (3.4/247.6/0.72/442.2 ms) is snappy and percussive to sit under Mary J. Blige's vocal without crowding it.
Sources
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Who played it
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Samples
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Revision history
- Seedsystem