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Moog Minimoog, pad

Unverified Inferred from the knowledge base. Nobody has cited a source yet; one accepted source makes it POTENTIALLY, one grade A source or two grade B sources verify it

Contest: Moog Minimoog played pad on Happy Endings by Mary J. Blige (2003)

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Settings

osc
2 saw -6 detuned, unison 3, detune 2 cents, sub none
filter
LP 12 dB/oct
cutoff
1388 Hz
resonance
0.103, drive 0.261
envelope
A 193.6 ms D 493.6 ms S 0.774 R 1261.8 ms; opens on the attack then settles to the sustained cutoff; filter env amount 0.35
effects
short slap delay, plate reverb, SP1200/MPC grit on the drum bus, none
notes
a stacked synth pad sits under the vocal, breathing with the chorus on "Happy Endings", built the way early-2000s Track Masters and Dr. Dre-adjacent production: Minimoog-style analog bass and MPC-sequenced synth stabs over the hip-hop soul sample bed would have cut it for Love & Life (2003). Waveform: 2 saw -6 detuned, filtered through a LP 12 dB/oct stage around 1388 Hz; the envelope (193.6/493.6/0.774/1261.8 ms) is slower and swelling to sit under Mary J. Blige's vocal without crowding it.

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Samples

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Revision history

  • Seedsystem